Italian American Reconciliation
John Patrick Shanley
Huey Maximilian Bonfigliano has a problem: While he is safely divorced from his shrewish first wife, Janice, who shot his dog and even took a bead on him, he feels he cannot regain his "manhood" until he woos and wins her one more time--if only to put his broken marriage behind him once and for all. He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates--although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest--and only--success is to be able to love"--a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.
|Genre(s):|| Not Available|
|Time Period(s):|| Not Available|
|Play Type: ||Play|
|Runtime: ||Not Available|
|Acts: ||Not Available|
|Set Complexity: ||Not Available|
|Set Information: ||Not Available|
|Year First Published: ||Not Available|
|Total Characters: ||5|
|Male Characters: ||2|
|Female Characters: ||3|
|Androgynous Characters:||Not Available|
|Minimum Cast: ||Not Available|
|Maximum Cast: ||Not Available|
|Cost: ||FEE: $50 per performance|
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|Publisher: ||Dramatists Play Service|
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|ISBN: ||Not Available|